Doctor Turn wrote:It looks like it's half guitar, half rack of ribs, half Giger creature (I'm using Alex Jones math)
- Gold Carvinite
- Posts: 1529
- Joined: Sep 2010
- Location: SF Bay Area
SH550 M22SD M22N
DC150 M22T/M22V, DC150 M22SD/M22N
DC400A, K12B/K12N, DC600 M22SD/M22V, DC800 A80B/A80N
AE185 C22T/C22N/Piezo, AE185-12 H22T/H22N/Piezo
CT7M KL14B/KL14N, Bolt C22T/AP11/AP11, AC375, CL450, AC275K, SB5000 J99A pups
- Doctor Turn
- Platinum Carvinite
- Posts: 4882
- Joined: Aug 2015
- Location: NYC, sans rock clubs and 48th St.
1985 DC150K (koa) Stereo, M22N/M22SD w/black hardware.
1985 100 Watt X Amp 2 x 12 combo (XV212) upgraded w/ 2 Vintage 30's
...and other gear.
- Gold Carvinite
- Posts: 1276
- Joined: Jan 2007
- Location: Jersey
Still, IMHO it looks best with a solid, or maybe metallic undercoat. Seems like a waste with exotic topwoods.
will it be available with natural body binding?
Basses: B4A in classic sunburst , B5 in sunsetburst, XB75 in TPB, PB4 in Blue Burst, LB70F in Pearl blue
- Elite Carvinite
- Posts: 16498
- Joined: Jan 2008
- Location: San Francisco Bay Area
tbonesullivan wrote:Still, IMHO it looks best with a solid, or maybe metallic undercoat. Seems like a waste with exotic topwoods.
i would agree...but I think it could still look killer on flamed maple. i see so much flamed maple (and similar-looking sycamore) in so many building lobbies and elevators that I'm immune to it's "exotic-ness" (even though my all-time fav guitar is my CS6. and it's the 'standard' wood on several models), I think it could still be cool to see clear flamed maple with black crackle, as long as the cracks were fairly wide (which I'm not always a fan of, otherwise).
Who is online
Users browsing this forum: No registered users and 7 guests